Favorite Small Moments

[Slash Man]

There's no lack of iconic scenes in RoboCop, but what about those small funny/cool/odd moments? Here's a few of my picks:

* Robo knocks the pistol out of Leon's hand. Some dude catches it and keeps on dancing.
* Clarence sticks his fingers in Sal's wine. Sal immediately takes a sip.
* Robo's over-the-shoulder shot in the drug factory shootout
* Sal's men take a ridiculous amount of shots after they're hit. Specifically guy with shotgun, and guy who spins around and shoots Sal
* There's an amazing shot of RoboCop's eye after ED-209 cracks his visor.
* This guy's expression:

[Joined]

There's no lack of iconic scenes in RoboCop, but what about those small funny/cool/odd moments? Here's a few of my picks:

* Robo knocks the pistol out of Leon's hand. Some dude catches it and keeps on dancing.
* Clarence sticks his fingers in Sal's wine. Sal immediately takes a sip.
* Robo's over-the-shoulder shot in the drug factory shootout
* Sal's men take a ridiculous amount of shots after they're hit. Specifically guy with shotgun, and guy who spins around and shoots Sal
* There's an amazing shot of RoboCop's eye after ED-209 cracks his visor.
* This guy's expression:

[Post Count]

There's no lack of iconic scenes in RoboCop, but what about those small funny/cool/odd moments? Here's a few of my picks:

* Robo knocks the pistol out of Leon's hand. Some dude catches it and keeps on dancing.
* Clarence sticks his fingers in Sal's wine. Sal immediately takes a sip.
* Robo's over-the-shoulder shot in the drug factory shootout
* Sal's men take a ridiculous amount of shots after they're hit. Specifically guy with shotgun, and guy who spins around and shoots Sal
* There's an amazing shot of RoboCop's eye after ED-209 cracks his visor.
* This guy's expression:

[Comment]

There's no lack of iconic scenes in RoboCop, but what about those small funny/cool/odd moments? Here's a few of my picks:

* Robo knocks the pistol out of Leon's hand. Some dude catches it and keeps on dancing.
* Clarence sticks his fingers in Sal's wine. Sal immediately takes a sip.
* Robo's over-the-shoulder shot in the drug factory shootout
* Sal's men take a ridiculous amount of shots after they're hit. Specifically guy with shotgun, and guy who spins around and shoots Sal
* There's an amazing shot of RoboCop's eye after ED-209 cracks his visor.
* This guy's expression:

[ChAnOoD]

Cool selection. I´d add something to that scene:

[Joined]

Cool selection. I´d add something to that scene:

[Post Count]

Cool selection. I´d add something to that scene:

[Stan The Man]

Lot of little things I liked in the film.. Their whole cop aesthetic was not only neat and interesting looking, but quite prescient in regard to how modern cops look - The tactical uniforms, semiauto pistols, rounded Taurus-style cars with strobe lights. Like I said, I always thought it looked neat when I first saw it many many years ago, like how real cops might look in the future (and indeed, how they do look very much like now),

Otherwise, hmm, lets see..

I also liked the gang's look and style. Leon's little eyeball jewel was a nice little bit.

Bob's home - the 'future house' was also quite nice, and again, rather foretelling of the future as well. Also liked the Beethoven doorbell - I didn't catch that one for a while 'cause the bell is kinda sweet and nice sounding. Bah!

The flying hubcap during the steel mill chase was also awesome. For an accident, it was on f'n perfect cue in frame.
_________________
I don't wanna pay that, PhotoBucket. Now maybe you haven't heard, but I'm the guy in old Archive. So hows about you just shit snow for a year and I'll figure out something else. Sayonara!

[Joined]

Lot of little things I liked in the film.. Their whole cop aesthetic was not only neat and interesting looking, but quite prescient in regard to how modern cops look - The tactical uniforms, semiauto pistols, rounded Taurus-style cars with strobe lights. Like I said, I always thought it looked neat when I first saw it many many years ago, like how real cops might look in the future (and indeed, how they do look very much like now),

Otherwise, hmm, lets see..

I also liked the gang's look and style. Leon's little eyeball jewel was a nice little bit.

Bob's home - the 'future house' was also quite nice, and again, rather foretelling of the future as well. Also liked the Beethoven doorbell - I didn't catch that one for a while 'cause the bell is kinda sweet and nice sounding. Bah!

The flying hubcap during the steel mill chase was also awesome. For an accident, it was on f'n perfect cue in frame.
_________________
I don't wanna pay that, PhotoBucket. Now maybe you haven't heard, but I'm the guy in old Archive. So hows about you just shit snow for a year and I'll figure out something else. Sayonara!

[Post Count]

Lot of little things I liked in the film.. Their whole cop aesthetic was not only neat and interesting looking, but quite prescient in regard to how modern cops look - The tactical uniforms, semiauto pistols, rounded Taurus-style cars with strobe lights. Like I said, I always thought it looked neat when I first saw it many many years ago, like how real cops might look in the future (and indeed, how they do look very much like now),

Otherwise, hmm, lets see..

I also liked the gang's look and style. Leon's little eyeball jewel was a nice little bit.

Bob's home - the 'future house' was also quite nice, and again, rather foretelling of the future as well. Also liked the Beethoven doorbell - I didn't catch that one for a while 'cause the bell is kinda sweet and nice sounding. Bah!

The flying hubcap during the steel mill chase was also awesome. For an accident, it was on f'n perfect cue in frame.
_________________
I don't wanna pay that, PhotoBucket. Now maybe you haven't heard, but I'm the guy in old Archive. So hows about you just shit snow for a year and I'll figure out something else. Sayonara!

[Comment]

Lot of little things I liked in the film.. Their whole cop aesthetic was not only neat and interesting looking, but quite prescient in regard to how modern cops look - The tactical uniforms, semiauto pistols, rounded Taurus-style cars with strobe lights. Like I said, I always thought it looked neat when I first saw it many many years ago, like how real cops might look in the future (and indeed, how they do look very much like now),

Otherwise, hmm, lets see..

I also liked the gang's look and style. Leon's little eyeball jewel was a nice little bit.

Bob's home - the 'future house' was also quite nice, and again, rather foretelling of the future as well. Also liked the Beethoven doorbell - I didn't catch that one for a while 'cause the bell is kinda sweet and nice sounding. Bah!

The flying hubcap during the steel mill chase was also awesome. For an accident, it was on f'n perfect cue in frame.
_________________
I don't wanna pay that, PhotoBucket. Now maybe you haven't heard, but I'm the guy in old Archive. So hows about you just shit snow for a year and I'll figure out something else. Sayonara!

[RoboPimp]

There are so many I'll have to think about it some more, but one off the top of my head is when Robocop blasts the ED-209 before going into the OCP building, with the little whirly thingy spinning around. Or what about when Robocop says he's not hungry? That isn't really a small moment, rather a huge moment, but perfection all the same. More coming soon.

[Joined]

There are so many I'll have to think about it some more, but one off the top of my head is when Robocop blasts the ED-209 before going into the OCP building, with the little whirly thingy spinning around. Or what about when Robocop says he's not hungry? That isn't really a small moment, rather a huge moment, but perfection all the same. More coming soon.

[Post Count]

There are so many I'll have to think about it some more, but one off the top of my head is when Robocop blasts the ED-209 before going into the OCP building, with the little whirly thingy spinning around. Or what about when Robocop says he's not hungry? That isn't really a small moment, rather a huge moment, but perfection all the same. More coming soon.

[Comment]

There are so many I'll have to think about it some more, but one off the top of my head is when Robocop blasts the ED-209 before going into the OCP building, with the little whirly thingy spinning around. Or what about when Robocop says he's not hungry? That isn't really a small moment, rather a huge moment, but perfection all the same. More coming soon.

[Stan The Man]

^ I find it tough to come up with 'small moments' because many are actually quite big to me - I don't consider the eye reveal a 'small' thing in the film, for instance.
_________________
I don't wanna pay that, PhotoBucket. Now maybe you haven't heard, but I'm the guy in old Archive. So hows about you just shit snow for a year and I'll figure out something else. Sayonara!

[Joined]

^ I find it tough to come up with 'small moments' because many are actually quite big to me - I don't consider the eye reveal a 'small' thing in the film, for instance.
_________________
I don't wanna pay that, PhotoBucket. Now maybe you haven't heard, but I'm the guy in old Archive. So hows about you just shit snow for a year and I'll figure out something else. Sayonara!

[Post Count]

^ I find it tough to come up with 'small moments' because many are actually quite big to me - I don't consider the eye reveal a 'small' thing in the film, for instance.
_________________
I don't wanna pay that, PhotoBucket. Now maybe you haven't heard, but I'm the guy in old Archive. So hows about you just shit snow for a year and I'll figure out something else. Sayonara!

[Comment]

^ I find it tough to come up with 'small moments' because many are actually quite big to me - I don't consider the eye reveal a 'small' thing in the film, for instance.
_________________
I don't wanna pay that, PhotoBucket. Now maybe you haven't heard, but I'm the guy in old Archive. So hows about you just shit snow for a year and I'll figure out something else. Sayonara!

[RoboPimp]

[Joined]

[Post Count]

[Comment]

[RoboHell]

I love

*95th floor, have a nice day*
*Bob's sniff when Dick walks by him during the meeting*
*Clarence putting Murphy's helmet on Emil, then flipping it down*
*The way Paul follows the shotgun down right before Clarence blows Murphy's hand off*
*The store owners laugh when watching Bixby*
*The funny demands Ron has*
_________________

[Joined]

I love

*95th floor, have a nice day*
*Bob's sniff when Dick walks by him during the meeting*
*Clarence putting Murphy's helmet on Emil, then flipping it down*
*The way Paul follows the shotgun down right before Clarence blows Murphy's hand off*
*The store owners laugh when watching Bixby*
*The funny demands Ron has*
_________________

[Post Count]

I love

*95th floor, have a nice day*
*Bob's sniff when Dick walks by him during the meeting*
*Clarence putting Murphy's helmet on Emil, then flipping it down*
*The way Paul follows the shotgun down right before Clarence blows Murphy's hand off*
*The store owners laugh when watching Bixby*
*The funny demands Ron has*
_________________

[Comment]

I love

*95th floor, have a nice day*
*Bob's sniff when Dick walks by him during the meeting*
*Clarence putting Murphy's helmet on Emil, then flipping it down*
*The way Paul follows the shotgun down right before Clarence blows Murphy's hand off*
*The store owners laugh when watching Bixby*
*The funny demands Ron has*
_________________

[RoboFan_93]

I enjoy a lot of moments that were already mentioned. Other moments I really like are:

- SWAT team shoots at Murphy as he drags himself on the ground - for some reason I really like scenes where the police chases the hero. It works really well with many characters and the scene is really emotional for me here as well. The music adds a great deal to it, but also the fact that Robo helplessly drags on.

- "Come on, Sal! Tigers are playin'... tonight!"

- The way Murphy's rage builds up in the end of the scene where he visits his home, right before punching the electronic salesman.

- The shot of Murphy grabbing the car keys Reed throws at him.
_________________
Anything you post can be used against you!

[Joined]

I enjoy a lot of moments that were already mentioned. Other moments I really like are:

- SWAT team shoots at Murphy as he drags himself on the ground - for some reason I really like scenes where the police chases the hero. It works really well with many characters and the scene is really emotional for me here as well. The music adds a great deal to it, but also the fact that Robo helplessly drags on.

- "Come on, Sal! Tigers are playin'... tonight!"

- The way Murphy's rage builds up in the end of the scene where he visits his home, right before punching the electronic salesman.

- The shot of Murphy grabbing the car keys Reed throws at him.
_________________
Anything you post can be used against you!

[Post Count]

I enjoy a lot of moments that were already mentioned. Other moments I really like are:

- SWAT team shoots at Murphy as he drags himself on the ground - for some reason I really like scenes where the police chases the hero. It works really well with many characters and the scene is really emotional for me here as well. The music adds a great deal to it, but also the fact that Robo helplessly drags on.

- "Come on, Sal! Tigers are playin'... tonight!"

- The way Murphy's rage builds up in the end of the scene where he visits his home, right before punching the electronic salesman.

- The shot of Murphy grabbing the car keys Reed throws at him.
_________________
Anything you post can be used against you!

[Comment]

I enjoy a lot of moments that were already mentioned. Other moments I really like are:

- SWAT team shoots at Murphy as he drags himself on the ground - for some reason I really like scenes where the police chases the hero. It works really well with many characters and the scene is really emotional for me here as well. The music adds a great deal to it, but also the fact that Robo helplessly drags on.

- "Come on, Sal! Tigers are playin'... tonight!"

- The way Murphy's rage builds up in the end of the scene where he visits his home, right before punching the electronic salesman.

- The shot of Murphy grabbing the car keys Reed throws at him.
_________________
Anything you post can be used against you!

[Stan The Man]

[Joined]

[Post Count]

[Comment]

[RoboHell]

[Joined]

[Post Count]

[Comment]

[Sean_001]

In Robocop 2, When Robocop says "you're coming with me, Cain."
He actually looks the right color for once in the film.

[Joined]

In Robocop 2, When Robocop says "you're coming with me, Cain."
He actually looks the right color for once in the film.

[Post Count]

In Robocop 2, When Robocop says "you're coming with me, Cain."
He actually looks the right color for once in the film.

[RoboFan_93]

[Joined]

[Post Count]

[Comment]

[RoboPimp]

seriously tho there are really no small moments!

[Joined]

seriously tho there are really no small moments!

[Post Count]

seriously tho there are really no small moments!

[Comment]

seriously tho there are really no small moments!

[artuditu]

I'm gonna praise again the screenplay, how efficient and lean it is, and outline all the little dialogues about capitalism that fill many moments through the film, for example Bob Morton after getting Robo green light from the Old Man, telling Johnson how he saw the chance and he got it, or all the background dialogue between Emil and the other gang guy about how he invest money on drugs to get more money and drugs, the law of offer and demand, etc. Making society speak in a film is such a complex thing, but here it is done in a brilliant and subtle way of providing context, theme and mood.

Oh, and this:

[Joined]

I'm gonna praise again the screenplay, how efficient and lean it is, and outline all the little dialogues about capitalism that fill many moments through the film, for example Bob Morton after getting Robo green light from the Old Man, telling Johnson how he saw the chance and he got it, or all the background dialogue between Emil and the other gang guy about how he invest money on drugs to get more money and drugs, the law of offer and demand, etc. Making society speak in a film is such a complex thing, but here it is done in a brilliant and subtle way of providing context, theme and mood.

Oh, and this:

[Post Count]

I'm gonna praise again the screenplay, how efficient and lean it is, and outline all the little dialogues about capitalism that fill many moments through the film, for example Bob Morton after getting Robo green light from the Old Man, telling Johnson how he saw the chance and he got it, or all the background dialogue between Emil and the other gang guy about how he invest money on drugs to get more money and drugs, the law of offer and demand, etc. Making society speak in a film is such a complex thing, but here it is done in a brilliant and subtle way of providing context, theme and mood.

Oh, and this:

[Comment]

I'm gonna praise again the screenplay, how efficient and lean it is, and outline all the little dialogues about capitalism that fill many moments through the film, for example Bob Morton after getting Robo green light from the Old Man, telling Johnson how he saw the chance and he got it, or all the background dialogue between Emil and the other gang guy about how he invest money on drugs to get more money and drugs, the law of offer and demand, etc. Making society speak in a film is such a complex thing, but here it is done in a brilliant and subtle way of providing context, theme and mood.

Oh, and this: